Fall 2003 ExtroNews 14.3 13
maximum rate, which visually demonstrates its
high frequency response.
The vertical lines should be crisp and distinct.
As system bandwidth declines, the definition of
the alternating lines becomes less distinct until
the pattern blends to middle gray. At full level,
the “modulation depth”, or peak transition be-
tween black and white, of the image is 100%.
Modulation depth decreases (whether display or
entire display system) with declining system
bandwidth. On a scope, the peaks between
white and black begin to descend toward one
another until they meet half-way; thus present-
ing a screen seen as middle gray. In display
devices, the pixel rate where the modulation
depth reaches only 10% of the full level char-
acterizes its usable resolution.
Split Gray-Scale
Gray-scale patterns tell us about the linearity of
the visual presentation. Each intensity step of the
16-level scale is a distinct, equal-size change in
luminance value. Dividing a 0.70 volt video signal by
15
(note that one level of the 16 is black) provides
47 millivolts per step (about 7%). Viewing both
excursions of the split gray-scale yields a bisected
stairstep pattern (see
Figure 1
). This feature enhances
evaluation of system linearity performance.
H Pattern
The full field H pattern provides several pieces
of useful information about a display system. The
letter ‘H’ is relatively simple to construct electron-
ically and provides a serious test of system high
frequency versus low frequency performance.
The white character on a black surround requires
the display system response to be optimum in
order to maintain brightness level between
the vertical legs (high frequency content) versus
the horizontal connecting bar (low frequency
content). As high frequency performance
diminishes, the vertical legs become dimmer than
the bar. On the scope presentation, the vertical
legs represent single pixel events which can be
used to measure system rise and fall time
effectively. On the display screen, the white ‘H’
provides an effective means to evaluate image
center focus versus corner focus. For digital pro-
jectors, the black surround can be used to
subjectively evaluate black level performance
against the peak level excursions of the text. This
also provides more of a real-world perception of
usable contrast ratio.
Crosshatch 32x24 and 32x18
One of the oldest and most used test patterns
for convergence alignment of CRT displays, the
crosshatch, in its many variations, still provides
significant support for visual evaluations and
testing. Two versions are provided in the VTG 300.
The 32x24 version supports tests in the 4:3
aspect ratio (32 divided by 24 = 1.333…) while
the 32x18 version (32 divided by 18 = 1.777…)
supports the widescreen aspect ratio and, very
importantly, sets the absolute outside boundary of
the display’s active region with a white line border.
Why use a crosshatch for digital projectors?
Several reasons. If you are feeding an analog
signal to a digital projector, there is still analog
video processing which may affect frequency
response. Like the ‘H’ pattern, the vertical lines
represent high frequency one pixel events and
should be as bright as the horizontal lines. The
squares created by the intersecting lines, as well
as the overall rectilinear presentation of the
pattern, tell us about geometric distortion such
as keystone, the most common distortion for
digital projectors.
But, here are a couple surprise uses for the old
crosshatch pattern. Those technicians working
with video over CAT 5 wiring will find it perfect
for evaluating and adjusting time delay among
the cable pairs. Time delay error created by these
UTP cable transmission schemes appears as a
misconvergence effect on the screen. But, that’s
not all. Today, low-cost digital projectors may
trade off optical path quality, comprising several
components including the projection lens.
Though the lens resolving capability may exceed
the resolution of the imaging device, what about
image distortion? Short focal length (wide angle)
lenses, in particular, must have better optical
design specs for color correction and other
aberrations than its longer focal length
counterpart. Use the crosshatch to evaluate
corner color separation and elliptical distortion
that easily occurs with cheaper lenses. With
short throw distance, the peripheral resolution
and correction quality of the lens is very
important.
Do you have concerns about finding raster
edges during setup with some patterns? In the
Video Setup Menu, a selection may be made to
“turn on” a raster border. This one-pixel border
will outline the active image area extremes to
ensure proper image positioning.
Split-Field Color Bars
The split-field color bars are enabled when the
VTG 300 is in one of the 31 computer graphics scan
rates. Color bars support display system testing
with the primary colors (red, green, and blue) as
well as the secondary colors (cyan, magenta, and
yellow) plus a white and black reference. This
pattern exercises fully saturated colors which can
be measured with appropriate colorimetric
equipment to determine color gamut of the display
system, among other aspects. The split field
arrangement allows viewing of each primary and
secondary color against its complement (see
Figure 2).
Figure 1: Graphics/PC split gray-scale waveform.
VTG 300 Video and Audio Test Signals — As Good As It Gets (continued)
Figure 2: Monitor screen shot of graphics
color bars.
continued on page 14
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