Runco REFLECTION CL-510 Bedienungsanleitung Seite 15

  • Herunterladen
  • Zu meinen Handbüchern hinzufügen
  • Drucken
  • Seite
    / 24
  • Inhaltsverzeichnis
  • LESEZEICHEN
  • Bewertet. / 5. Basierend auf Kundenbewertungen
Seitenansicht 14
What’s Your Sign?
Sometimes, newly installed audio wiring is
passed over during the labeling routine and the
polarity from/to the amplifier is unknown. At any
rate, phasing speakers or testing amplifier output
polarity is a common occurrence. The Polarity Test
in the VTG 300 is a unique test signal comprised
of a 1 Hz pulse having a duty cycle of 0.1%
(about 1 millisecond). When connected to the
audio system input, it may be used along with
polarity receivers such as the Galaxy Audio Cricket
or the Rolls PT102 for a rapid verification of
cabling connectivity.
Shouldn’t every A/V techie be using video
and audio test signals? Having them in the
palm of your hand certainly enhances the
convenience. With each passing year, the
benefit-to-dollar ratio in electronic systems rises.
The trend includes most measurement tools, like
the venerable oscilloscope. Take it from me:
Learning to use basic, but necessary, audio/video
test signals in an A/V system installation is the
only way you’re going to create those rare
electronic memories for yourself.
TECHNICALLY SPEAKING...
Fall 2003 ExtroNews 14.3 15
most of their needs. The complement includes
white noise, pink noise, sine wave, square wave,
swept sine wave, and a unique polarity test.
Why have “noise” as a test source? White noise
is known as a broadband noise, which means it is
composed of all frequency components at equal
energy level in random order. This characteristic
of wideband noise makes it invaluable when
evaluating the frequency bandpass characteristics
of audio systems. White noise gets its name from
the connotation with white light wherein white
light is said to be composed of an infinite number
of wavelengths of visible energy.
The pink noise source in the VTG is intended as
the standard signal source when evaluating the
acoustic performance of a sound system with a
real-time analyzer. Humans perceive twice the
power level for each octave increase in audible
frequency, so white noise “sounds” as though the
power is rising at 3dB per octave. Pink noise is
lowpass-filtered white noise (at -3dB per octave)
such that, on a real-time analyzer, it appears to
be flat over the entire audible frequency band.
Using Waves
The more common tests in audio systems
evaluate linearity, distortion, gain, etc. The
VTG 300 sine wave source is adjustable in
one-third octave steps from 20 Hz to 20 kHz
with specific stops at the most commonly used
values, such as 400 Hz and 1000 Hz. A swept
sine wave function may be invoked which
covers the same range, but continuously. A
swept sine wave is useful for evaluating
systems for resonances such as rattles and other
unwanted vibrations. The sweep-time interval is
selectable from 1.5 seconds in seven increments
to 150 seconds.
The square wave is used in amplitude and
phase versus frequency measurements. The
frequency may be set among 25 steps from 20
Hz to 5 kHz. This time-domain test, when viewed
on an oscilloscope, tells the technician about the
quality of rise time, overshoot, ringing, tilt, and
slew rate of the system under test. The first four
of these attributes are indicative of the system’s
response in the frequency domain (i.e. low
frequency and high frequency characteristics).
Figure 8: Waveform monitor presentation of
the multiburst pattern.
Figure 7: Vectorscope presentation of
PAL-EBU color bars.
Figure 4: Waveform monitor presentation of
75
%
SMPTE color bars.
Figure 5: Vectorscope presentation of
NTSC 75
%
color bars.
Figure 6: Waveform monitor presentation of
PAL-EBU color bars.
Seitenansicht 14
1 2 ... 10 11 12 13 14 15 16 17 18 19 20 ... 23 24

Kommentare zu diesen Handbüchern

Keine Kommentare